Tuesday, 30 October 2007

Season's Greetings

A rant, just in time for the 'Festive Season.'

Autumn is often regarded as the most emotive of seasons. The bright glory of lazy summer days or the high activity of holidays in the resplendent sunshine give way to the fading grandeur of woodland in a gaudy yet decaying plumage. It is with a feeling of being reconciled that the year is coming to an end. Yes, Autumn is a season of resigned calm. This is what autumn does to us writers and poets.

Not so, the season of Winter. Winter is an ugly beast that chillingly wants to suck on the marrow of our bones. But there is a most hideous evil at the heart of Winter! I speak openly of none other than the abomination that is called: "Christmas."

Everyone knows that Christmas is bad for you. Normally sensible people who diligently handle their financial affairs suddenly lose all sense of reason and blow every penny. People binge openly. Habitually-temperate individuals are to be seen as drunk as a lecturer with a pay rise, or a poet with any pay at all. Alcohol intake soars, tobacco, otherwise eschewed, is suddenly fashionable, as cigars light up like bonfires, food is gobbled in vast quantities as diets are cast aside, waistlines bulge, five a day comes to mean "meals," rather than "portions of vegetables." Promiscuity is encouraged, with sinister rituals dragged up from antiquity involving sprigs of plants such as mistletoe. Never mind how many children are conceived outside wedlock during this period, the number who start life outside any kind of enduring relationship must be staggering. All the more frightening is proportion where the act of conception has been captured for posterity on a photocopier at office parties.

And then there’s the lies to the children. How many children are dumb enough to believe a fat interloper in a conspicuous costume but with his hooded face covered can enter umpteen different properties all around the globe simultaneously though an antiquated and indeed often non-existent heating system? And then just give things away for nothing in return, no favours of any kind. The fat guy and the sleigh, all the supernatural creatures and the cloven-footed animals with illuminating body parts, it is revealed as the children get older, were invented, and used as a form of behavioural modification blackmail as the year’s end approached. Trust you parents after that? Why should you? They’ll say rubbing belly-buttons makes babies next!

Then there’s the extended family and the problems Christmastime entails. Families are extended for a reason – the reason is they can’t stand being near each other and want to put as much distance between who they share a blood line with. Blood is thicker than water and it usually ends up spilled on the carpet. Families getting together is the biggest cause of family breakdown in the world today. This is not rocket science – they couldn’t break down if they weren’t brought together in a supercritical mass in the first place, could they. It’s a sociological atom bomb waiting to go off.

While all that’s going on, there are questions about the damage inflicted on commerce and industrial activity. Whole industries close down while others, briefly, like fungus, spring up in their place. Just when they are needed most, in what should be their money-making peak of the year, plumbers and electricians disappear. And not only does God not exist, try finding a doctor or dentist at Christmas. Absenteeism is so rife, some companies can’t even tell whether they are actually still operating any longer or have gone into receivership. From the customers’ point of view, as far as public transport is concerned, it may as well have done so. "How was your journey then?" "How do you bloody think it was? No wonder Joseph and Mary had to stay in a stable – we nearly had to break our trip at a bloody Travelodge!"

Almost the ultimate indignity is yet to come. This is referred to as The Christmas Number One. For music-lovers everywhere, this alone is justification to stick a pencil into each ear and swirl it around until you stop moving. (A similar phenomenon with the eye is to be encountered when you are forced by some niece you have discovered makes you watch a DVD of Dude Where’s My Car? or Weekend at Bernie’s II. While on the TV, just to get you in the Christmas mood, there’s Saving Private Ryan followed by Schindler’s List.)

Christmas is as desperate as a famine inside a war inside a plague. Finally there is the social cost. This is best illustrated by the colossal, soul-crushing feeling of desperation when you find that you are actually left out of the festivities, that you have no cringe-inducing parties to attend, no visitors nor people to visit, no presents, no cards and only the wallpaper for company. As if to rub salt in the wound, the televisions companies have started to pick up on this and just as you are sitting through your umpteenth viewing of North By Northwest they spray across the screen a phone number you can call "if you’d like to talk to someone." How would you start such a conversation? "I’m such a Billy-No-Mates, I was going to slash my wrists but I can’t find the kitchen knife so I thought I would call you, you self-pious, do-gooding little bastard."

Christmas begins to blight us now from the beginning of September along with the anniversary of the start of World War II – a re-enactment of the Somme artillery barrage rumbles on from mid October till advent calendars come into use. Then New Year (why does the Year of Our Lord start seven days after the anniversary of His arrival – did someone forget to post the birth announcement? Had they been sniffing too much myrrh to remember till a week later? "Messiah arrived – must make a note." Then it’s back to work, just preceded by carting car-loads of wrapping paper, greetings cards, the odd dodgy present and possibly the odd clingy relative, to the recycling centre, staggering credit car bills or mind-numbing overdrafts until the final embarrassment of St Valentine’s Day. At last, you can remind yourself, Summer is now not far off, once you’ve got past Easter.

Then you’ve got about six months before the whole ghastly spectacle begins all over again. Let nothing you dismay, you merry gentlemen! God rest ye!

The End (-ish)

Monday, 29 October 2007

The Enormous Turnip

'They pulled and pulled and pulled
Still the enormous turnip did not move'


Rain, Rugby League, Wigan Pies,
My throat chokes on mud and gristle,
I spit out this bungling accent,
Flatten all my vowels.

I pine for a Constable sky,
And Ipswich shopping centre,
The Singing Postman on Anglia TV,
His ghost now bootiful,

Stalks me back to dry hard roots,
The crust of my creation,
Not this slop and sludge,
Of drizzled days,

Morbid as a menopause.
My thoughts still tunnel South,
Knuckles red and raw,
A row of ripened turnips.

Wednesday, 17 October 2007

Fetish

Wellingtons filled with warm custard
Oozing through toes and squelching like sex
Though it may leave you bothered and flustered
Wellingtons filled with warm custard
Anything else simply won’t cut the mustard
Which explains why my wife is my ex
Wellingtons filled with warm custard
Oozing through toes and squelching like sex

Benni

We all have our own ways of dealing with the stultifying boredom that is an inescapable part of the job of processing tax credit claims.
Greg stares trance-like at his keyboard for hours, lost in mucky thoughts and I wander off to check share prices. Benni, on the other hand, has taken to reading an English dictionary.
It all started when, for reasons that no one could understand, Greg was voted ‘Employee of the Month’. In recognition of this dubious distinction he was given a certificate and a rather fine leather bound English dictionary. Indeed, it was so fine that Benni immediately expressed his wish to become ‘Employee of the Month’ so that he too could be the proud possessor of such a volume. Recognising that Benni’s chances of reaching such dizzying heights of management approval were slim and being of a generous disposition, Greg offered his dictionary to Benni. Accepting with alacrity, Benni opened the precious tome at random and as luck would have it, the first word he came upon was ‘nincompoop’.
From that moment he was hooked. ‘Nin-com-poop’ he said over and over again, savouring the sound of each ludicrous syllable. The spell had taken hold and with each new word he became more and more entranced. He was intoxicated – high on the sights and sounds of strange new words. "Hey", he would shout across the table, "Do any of you lot know what ‘propinquity’ means or ‘jejune’ or ‘skulduggery’?" He would then delight in reading out the definitions to the rest of the office.
After a while his confidence grew and he started to try out these newly acquired words in sentences. On one occasion he leant over the desk and jabbed a finger in my direction. ‘You’re taciturn, man’ he said and ‘You’re insouciant’ I replied. His fingers flicked through the pages till he found it: "‘Insouciant’ – unconcerned: heedless". ‘Yes", I said, "laid back, chilled - man". I could tell he was pleased. Perhaps it was the thought that this seductively exotic sounding word described him so perfectly that it might have been invented for the purpose. It was now his word – Benni’s word, to slip into conversation wherever and whenever he chose.
I watched him as he sat back in his chair and resumed his search for more gems from that inexhaustible corpus which constitutes the English language; a picture of contentment and insouciance.

Blossom

A garland crowns the garden refuse,
Surviving on its funeral pyre,
A bride's bouquet on her mother's grave,
Fragile beauty difficult to bear.

The other trees stand weeping,
In the aftermath of your hatchet job,
Amputees, sad casualties of war,
Raw and unloved.

Silent, I watch from bedroom windows,
Resigned to this annual clearing.
My twitching white lace curtains
Signify surrender.

At last, decapitated trees fight back,
Green buds appear from splintered sides,
Beads of sweat squeeze through,
Exhausted limbs.

Yet there can be no second coming
For this rootless blossom,
Tissue petals already turning brown
In mournful Easter showers.

Wednesday, 10 October 2007

Man Flu

MAN FLU
(with apologies to The Clash)

DOCTOR YOU'VE GOT TO LET ME KNOW
SHOULD I SNIFF OR SHOULD I BLOW
PLEASE DON'T SAY THAT I'LL BE FINE
AFTER I'VE WAITED ALL THIS TIME
SO YOU'VE GOT TO LET ME KNOW
SHOULD I SNIFF OR SHOULD I BLOW?


IT'S ALWAYS SNEEZE, SNEEZE, SNEEZE
siempre achu, achu, achu
THIS MAN FLU'S GOT ME ON MY KNEES
manflu me tiene arrodillas
MY THROAT IS RED MY TONGUE IS BLACK
tonsillas throbbo pulsa paino
PAINS IN MY CHEST AND DOWN MY BACK
non sympathio cum ma wayo
WELL COME ON AND LET ME KNOW
me tienes que desir
SHOULD I SNIFF OR SHOULD I BLOW?
¿yo me sniffo o me snotto?


SHOULD I SNIFF OR SHOULD I BLOW NOW?
SHOULD I SNIFF OR SHOULD I BLOW NOW?
IF I SNIFF I GET IN TROUBLE
AND WHEN I BLOW I'M SEEING DOUBLE
SO COME ON AND LET ME KNOW


THIS INDECISION'S BUGGING ME
esta undecision me molesta
I'M WALLOWING IN MISERY
mi suffro molto fittu droppo
EXACTLY WHAT IS WRONG WITH ME?
me ruddy nosa com rudolpho
IS THERE SOMEONE ELSE I COULD SEE?
spouso hoho grandio joko
DOC YOU'VE GOTTA LET ME KNOW
doc me tienes que desir
SHOULD I HOLD BACK OR LET IT FLOW?
¿yo me sniffo o me snotto?


SHOULD I SNIFF OR SHOULD I BLOW NOW?
¿yo me sniffo o me snotto?
IF I SNIFF I GET IN TROUBLE
si me sniffo big peligro
WHEN I BLOW I'M SEEING DOUBLE
si me snotto video doble
SO YOU'VE GOTTA LET ME KNOW
me tienes que desir
SHOULD I SNIFF OR SHOULD I BLOW?
¿yo me sniffo o me snotto?

Dave Carr


Sunday, 7 October 2007

Absolute Broke

Empty
Pockets, down and out
The bones of resolution fractured
Or returned to jelly as
In the womb once they were soft

You can’t
Keep looking up when you’re falling
Below the bottom of the pit
You’re like the loose change
Gathered by a tramp

Who, by cruel fate
Wore holes in his tattered jacket
The bowl of a lifetime
Littered with change
Without change

In fortune
If predestination was doomed
From the start
You’ve finally been caught
Now, my son.

Thursday, 4 October 2007

Creative Writing: Radio Play

Sometimes You Just Know…

By David Helm



Characters:

Porter. (Volatile, possibly psychotic, almost definitely hopped up on something).
Ray. (Calm, older than the other two. Tries to work through things rationally).
Noble. (Youngest member. A little unsure of himself).
Cop.



Setting:

In Porter’s car, which is parked outside the bank as the three men prepare to carry out the raid.




























(Sounds of a city. Honking of horns, traffic. We hear a car pull to a halt. Hip-hop music- Ice-T’s “You Played Yourself”- blares for a minute, before it is switched off).

Porter: OK. So we know what we’re gonna do here? We clear?
Ray: Yeah. We enter this bank, we stand in the line, all nice and quiet. Then when we get to the head of the queue, we hand them the note and tell them to empty the drawers. Noble empties the vault while you and me keep everyone quiet. Then we tell them to keep their goddamn heads down and we get the hell out.
Porter: You got it. You got that back there?
Noble: (Sounding a little unsure of himself) Yeah…I got it.
Porter: I said, have you got it? You fuck this up and I’ll kill you myself.
Noble: I got it, man! Will you chill out?
Porter: One thing we gotta remember. No real names. That’s why you know me as Porter. That’s why Ray is Ray, and that’s why you’re Noble. OK? I don’t wanna know your real names, where you’re from, your fucking pet’s name. I don’t wanna know anything about you.
Ray: (A little sarcastically) Got it.
Noble: Yeah, I got it. Where’d you come up with these names, dude? I mean, Noble? What’s up with that?
Ray: It’s gotta be a joke. Noble means “of high moral character”- and we’re about to rob a bank. That’s got to be it, right? Right, Porter?
Porter: Huh?
Ray: Forget it. So when do we go in?
Porter: We go in when I say we fucking go in. I’m running this goddamn thing, and don’t you forget it. We don’t do anything before I say. Nothing happens before I say it happens. OK?
Ray: So, are you gonna say that we go ahead or should I just guess when the time is right, huh?
Porter: You got a prior engagement? Quit badgering me. I’m casing the joint.
Noble: How are you gonna case the place from out here? We’re in a car. You can’t even see the entrance! (Sighs) Did you have to plan this thing for so early? I didn’t get breakfast. I get faint if I don’t eat. Look, there’s a McDonald’s over there- I’m gonna go get something. You guys want anything?
Porter: No.
Noble: Ray?
Ray: (Weighing this up for a couple of seconds) Yeah. Get me an Egg McMuffin and a coffee. One of those big ones. (Pause) And an apple turnover.
Noble: You gonna come and give me a hand, then? Only got two.
Ray: Yeah, OK.
Noble: (To Porter) You sure you don’t want anything?
Porter: Yeah. And don’t take too long.

(Two doors slam as Noble and Ray get out of the car)

Porter: Goddamn fucking amateurs. Gotta stay professional for this- and they go for a fucking McDonald’s.

(He snaps the radio on and twirls the dial. Music- Supertramp’s “Breakfast in America”- fills the car)

Porter: Goddamn. I hate this song!

(A brief snatch of several songs as Porter twirls the dial again. Goes on for several minutes. Finally settles on “Money” by Pink Floyd)

Porter: That’s what I’m talkin’ about. (Starts to sing along as he waits) Goddamn- where are those two idiots? They’d better not take too long or I’m going in there.

(Two doors open and then shut as Ray and Noble get back in)

Porter: Could you have left it a bit longer? It’s not like we’re about to do a fucking robbery here, is it?
Noble: (With his mouth full) Sorry, Porter. But I coulda stayed in there all day. You ever been in there when they take a fresh buncha donuts out the fryer? Smells like heaven.
Porter: Uh huh. You do anything that might screw this up again, I’ll fucking send you there. You got that?
Ray: Come on, man- cut the kid a break. It’s his first time. Kid’s nervous. Just like the first time you do anything. You remember your first job? What were you like?
Porter: My first time? (Sighs) It was…Hey wait a minute! What did I say about knowing nothing about ourselves? You get pinched, you could tell the cops anything. I ain’t telling you nothing.
Ray: Nearly slipped up there, Porter.
Porter: Will you shut the fuck up?
Noble: Yo, check it out. Cop comin’ up on my side.
Porter: That fucking pig so much as looks at me in the wrong way, I’m fucking capping his ass.
Ray: Will you chill out? It’s hot enough in here without more hot air coming outta you. Just talk to the officer.
Porter: You don’t tell me what to do, huh? Remember who’s running this thing, OK?
Ray: Shut up and wind your window down.

(Sounds of the window opening. Sounds of the outside come in through the open window)

Cop: Morning, gentlemen. Enjoying your breakfast there, huh?
Noble: Yes, officer. (Nervously) Nice morning, isn’t it?
Cop: Certainly is. But it just so happens that this area’s no stopping. And you seem to have stopped here. You see the problem?
Ray: Absolutely, officer- but we couldn’t see anywhere else, and we didn’t think that we’d be here too long.
Cop: That so? I’ve been watching you for the last half hour- you don’t show any signs of wanting to move on. Maybe I should do something about that, what do you think?
Ray: Sorry about that, officer- look, we’ve finished our breakfast. We’ll be gone by the time you come back down here, OK? Come on- you don’t have to run us in for that, do you? Come on.
Cop: Well- it has been a slow morning… But you guys seem like a nice, responsible bunch of fellows. You got ten minutes. Then I’m coming back and if you’re still here, I’m booking your asses. You got it?

(The window is wound back up)

Porter: If that cop comes back, I’m doing him.
Ray: Did you hear what he said? We got ten minutes or he’s booking us. And that would really fuck up your plans, wouldn’t it? You got a record, right?
Porter: Yeah.
Ray: OK- so let’s do this, huh? ‘Cos I got a record too, and if we get pinched, it won’t make a goddamn bit of difference that we don’t know each other’s names. They’d just run our faces through the database and we’d be screwed. OK? So let’s do the damn thing.
Porter: OK, OK.
Ray: OK- shall we do one more run through it, while you get your shit together? We go in the bank. We go up to the counter. We don’t want people panicking and getting in the way, so no pulling of guns as we go up. Hand them the note. Keep an eye on them and the customers while they get the money. When they hand us the money we leave. We only use force if they refuse. Anyone tries to be a hero, take them out- but only then. Gotta be professional- we kill no one unless it’s absolutely necessary. Got that? We’ve got maybe two minutes to do it if they hit the silent alarm under the desk- so we gotta be smooth. Concentrate on what we gotta do. OK?
Porter: Yeah. But if any spic teller refuses to do what I fucking tell them, they die.
Ray: Did you not listen to what I just said to you? No use of force if we can avoid it. We’re on a time limit, goddammit. What the hell’s wrong with you? Gimme the goddamn pen and I’ll write the note. We’re on a schedule here.
Porter: What pen?
Ray: What the fuck do you mean, what pen? The pen to write the goddamn note. I thought you had the pen.
Porter: Nope.
Ray: Noble, you got it?
Noble: No. I thought you had it.
Ray: Are we saying that we haven’t got anything to write the fucking note?
Porter: You blaming me? You blaming me? ‘Cos if you are I’ll fucking cut you. This was my idea. I come up with the idea, you bring the fucking pen!
Noble: Couldn’t we use a pencil?
Ray: Shut up, kid! (Back to Porter) Your idea? You’re so fucking out of it I’m surprised that you can tie your fucking shoelaces. It’s me who’s kept a cool head here. And you were supposed to bring the goddamn pen!
Noble: Guys! We’re on a schedule here. So we haven’t got a pen. We just gotta come up with an alternative!
Porter: Yeah. We go in, we pull our guns and we tell them to open the drawers. Any muthuhfuckuh gets in my way gets fucking dropped. Just like I wanted to do in the first place.
Ray: You fucking psycho, you’re gonna get us killed…. (Resigned) OK- where are the guns?
Porter: In the trunk. Let’s go.

(Doors open and shut as the three get out of the car. Porter pops the trunk).

Porter: There. OK? One for each of us. Take your pick.
Noble: Um, guys? This may not be the best time to mention this, but I’ve always had kind of a problem asserting authority…you know? I mean, I’ve tried talking to somebody, but-
Ray: Are you saying you can’t do this job because you’re shy?
Noble: (Defensively) Hey, I’m sorry, I just didn’t expect to go in with guns drawn, OK? That wasn’t the plan!
Ray: What did you expect? It’s a goddamn bank robbery, not a goddamn Sunday school meeting.
Noble: You know what? Fuck you. Fuck him, and fuck this job. You can both kiss my ass.

(Footsteps as Noble walks away, fading into the general hustle and bustle of the street)

Porter: That goddamn kid. I’m going after him.
Ray: I’ll get him. You get the guns- I’ll be back. (Under his breath as he walks away) As the cops take you in, you dumb son of a bitch. Ten minutes is up…right about now.
Cop: (As he walks back up) OK, pal, I warned you. I told you this is a no stopping zone, and you haven’t moved. I’m booking you… (He spots the mini-arsenal in the back of the car) What the…? Holy shit! Freeze, you sucker! (Draws his gun. Click of the hammer)
Porter: Hey, wait a minute, there were two other guys here…
Cop: Shut the fuck up and get your goddamn hands in the air!
Ray: (Watching from a distance) Man- sometimes you just know when you’re having a bad day, huh?

(We hear Porter’s continued protests and the cop’s shouting orders at him, and police sirens approaching in the distance as we fade out)

THE END.
Creative Writing Week 4: Character Creation


Music was coming from somewhere in the building. It wasn’t quite loud enough for Creasy to recognise what it was, but just loud enough so he couldn’t ignore it. This did not put him in a good mood as he threw off the sheet and sat up yawning. He got up, and ambling over to the bathroom, hawked and spat into the bowl. His mouth tasted like a running back’s sock after he’d played a whole season in it- not surprising considering the amount of beer he’d put away last night. As he looked into the mirror, he was struck by how haggard he actually looked. Pale, with eyes that had so many red lines etched in them that they resembled a map of the major highways of the United States, and his curly black hair matted and plastered to his forehead. He spat again, trying to clear the taste from his mouth, and stepped into the shower.
Ten minutes later he got out feeling slightly refreshed, drying himself off as he moved back into the hotel room. All things considered, it was one of the better ones that he’d stayed in recently. He dressed quickly, thinking as he did so just how much of a cliché he’d become. He was an ex-cop drifter in his late thirties, living in hotel accommodation, drinking too much. I’m not divorced though, he thought. I never had a wife and daughter killed to make me become a borderline alcoholic- I drink because I like to. My partner wasn’t shot dead on the last week before his retirement- he’s living down in Palm Springs. And I never went to ‘Nam. Maybe I’m not so much of a cliché after all.
He picked his bag up from where he’d thrown it when he checked in and opened it, stuffing the previous night’s shirt on top of the pile of dirty clothes already in there. He was going to need to find a Laundromat at some point, but at that moment all he wanted to do was get out of there, so after taking one final item from the bureau by the bed, he put on his leather jacket and turned to leave the room. He opened the door and stepped out into the hall. The door to the stairs was at the far end, and as he walked toward it he passed the room where the music that had woken him up was coming from. Now he recognised it- Lynyrd Skynyrd’s “Free Bird”. He scowled and went down the stairs to the lobby. The guy at the desk was asleep, his head lolling. Creasy dropped a couple of $10 bills on the desk in front of him and stepped out of the double doors and into the Texan sunshine. Even at this time- 9 in the morning- the sun was blazing in a cloudless sky. The sun beating down on his head didn’t improve his mood- or his hangover- and neither did the fact that some hump had put a large dent in his bumper, as he discovered when he went to throw his bag onto the back seat. It was the final straw. He leant back against the car and sucked his teeth as he pondered what to do about it. Reaching his decision, he opened his bag, and taking out the item he’d stuffed in there last, he turned and walked back into the hotel, climbing the stairs until he stood outside the door that the music was coming from. He knocked.
“Who is it?” a surly voice said from within.
“Room service,” Creasy answered.
“I didn’t order any goddamn room service…” the voice said, and the door opened. The thickset truck driver stood there, whom Creasy recognised from the bar the previous night, rubbed his eyes blearily as he tried to focus on whoever had knocked on his door.
Creasy pulled the silenced Glock automatic from inside his jacket and shot the truck driver twice in the chest. As the man crumpled back into his room, Creasy quietly shut the door and turned to go back down the hall.
The clerk was still sprawled across the desk when he re-entered the lobby, the bills he’d dropped by the man’s hand still there. Creasy picked up the money, and pressing the tip of the silencer against the receptionist’s temple, shot him though the head. He let the dead man fall back onto the desk- the only difference now being the pool of red spreading out from around his head.
Creasy turned and left the lobby, walking across the forecourt and into the bar and grill adjacent to the hotel. He pushed open the door and walked in. There were only a couple of customers in there- two guys in Stetsons drinking coffee, and the same bartender who’d served him last night. Phil, Creasy remembered.
“Anyone in here dent the bumper of a blue Olds parked out there?” Creasy asked.
One of the guys at the bar turned. “That was me,” he drawled. “You got a problem?”
“That was my car,” Creasy said.
“So sue me,” the jerk replied, and turned back to the bar.
You all just keep making this easier and easier, Creasy thought as he pulled out the Glock. He shot the asshole in the back of the head, and he fell against the bar before crumpling to the floor. The second coffee drinker turned, his mouth open in shock, and Creasy shot him in the left eye. The bartender raised his hands up as if to protect himself, and Creasy put two bullets into his chest, slamming him back into the bottles stacked behind him, which fell and shattered as the bartender slid to the ground.
Creasy put his gun away and walked out of the door. Walking back to his car, he opened the trunk and leaned in.
“Still here?” he asked. The eyes of the man who lay bound and gagged on the floor of the trunk opened wide, and he screamed through his gag, thrashing maniacally as he tried to escape from the space he had been crammed into.
“Good,” Creasy said, smiling, and closing the trunk, he opened the door of his car and got in, pulling out of the motel forecourt and onto the highway, disappearing into the shimmering haze so quickly that “The Drifter”- as the newspapers who had reported his many crimes across America had nicknamed him- might never have been there at all.

Wednesday, 3 October 2007

The Elective Mute

'We had no choice,
Couldn't stop him talking,
We had to disappear,
For our own survival'.

The nuisance child waited,
In the Respite Home,
On a weekend break,
Which lasted ten years.

He befriended the rocking
Walls of desperation,
Explored each dusty
Corner of confusion,

Before discovering the
Secret of your rage,
The solution to your
Disapproval.

In silence he waited
The return of forgiveness
For all the words
He never should have

Spoken.

Tuesday, 2 October 2007

Home Is Where I Want To Be

Late Bank Holiday reached its close.
I did not believe he would come for I believed
the lure of a girl in red glasses

was greater than that of a barbecue
in a ho-hum, humdrum back yard.
Everyone had eaten their fill of ribs

grown cold, Chicken ignored had charred
and one miserable mackerel lay on a bed
of chopped fennel and wilted dill. Life was still.

Contemplated packing up but then, I heard
his voice grow louder as he wandered in.
He ate with relish, complimenting cold food.

I loved him for his aplomb, his politesse,
his being here among us on this sultry August night.
Then he played. He sang Johnny B. Goode.

Hey Ya, his repertoire. We clapped and sang.
His little brother played the air guitar.
I thought, ‘this feels like home,’ as we sat
on borrowed chairs and watched a shooting star

The Prisoner


The Prisoner

Can anybody help me please?
I live my life in fear.
I have recurring nightmares of
Being trapped inside IKEA.

I go in for a single bulb,
The sort only they sell,
And claustrophobia soon sets in,
My senses go through hell.

I stand amidst a sea of beds;
I'm spinning as I shout,
"I hate this place! I hate this place!
How do I get out?"

Hordes of frantic shoppers
With yellow shoulder bags;
Men with rimless glasses
Waving Swedish flags.

I dream that I'm surrounded;
Attacked by steel utensils;
Stabbed by shiny kitchen knives
And stubby little pencils.

Flat packs tower around me,
Shelf on shelf on shelf;
A whole lifetime's sentence of
Do it your bloody self.

Just once I made it to the door
And out - "Freedom!" I cried.
But then a giant meatball came
To bring me back inside.

I reached the final checkout;
On a trolley there I lay
In a self assembed coffin,
(A choice of white or grey.)

© Dave Carr