It’s black and everywhere is white.
Or is it white and everywhere is black?
I can’t figure it out. It’s black everywhere and it’s white everywhere.
I look up and it’s black. I look in the distance and it’s dark, nothing is clear, but white specks are floating into my vision. They scurry, form shapes, re-form and disappear, only to be replaced by more phantom figures. I look down and it’s white everywhere. My feet stumble in the white.
The white around my feet crumbles and swallows my feet as I try to move. I breathe out and my breath clouds, mixing with the swirling phantoms. It is snowing and it’s very late at night and I don’t know where I am going. What am I doing? What am I about to do?
What have I just done?
Was it right? These things are never black and white.
This is one of my clearest memories of being at North Riding University. The winters were always severe. Snowfalls would sometimes cut off the new campus from the rest of the country, especially, it seemed, at week-ends. Menial staff like cleaners and porters would be trapped, and have to sleep in the main refectory or the chapel till Monday. On this winter evening the snow is more hideous than ever. It is so cold and ice-sharp, it is dry and doesn’t even have the decency to melt on your exposed flesh of your face, till your skin burns and you cannot feel the cold anymore. It dances around me furiously, piling into my eyes as it gathers, onslaught upon onslaught from an unseen black canopy over head.
The centre of campus, the piazza, is totally deserted. Lamps burn pointlessly overhead, illuminating a dazzling, deserted tableau.
I stumble on.
Almost miraculously a figure appears in the distance. Small in stature yet definitely male, he makes his way directly towards me through the driving snow. His hands are thrust deep into the pockets of a duffel coat, though the hood is down and his head is bare in the outrageous blizzard. I can see his close-cropped red hair – coupé en brosse as the French would say, and red stubble of beard – it is the only colour in this monochrome scene.
"Are you Malcolm?" he says, almost conversationally.
"Malc," I nod, correcting. "Call me Malc."
"My name’s Chris. We spoke earlier. Have you taken any pills?" He has the politeness to grin slightly as he asks.
"I can’t remember," I mumble. "I’ve been out in this – " I shrug, indicating the whirling ice-flakes. "It’s been so long," I add after a pause. "Yet, I feel so… hot."
"Are you feeling dizzy?"
"Dizzy? No… no, I don’t think so," I lie. I’ve taken some tranqs, but that’s understandable.
"It’s been five minutes since you called the Nightline office. You said you hadn’t taken anything then. Just that you thought you were going to. That’s why I came out to meet you." He almost laughed. "Lovely night for a walk, eh?"
"No, not dizzy. Just hot. Here," I tugged at the clothing at my neck, "let me take my scarf off."
Nightline was a little organisation run by the Students’ Union. It was there to help member students through the night when ever they had problems, like an essay they couldn’t finish for a nine o’clock deadline, or an impossible finals exam coming up – that would be usually in the summer term, of course, though some schools had mid-year class tests. Also, other problems, like money worries, late grant checks back then, difficulties with parents, fear you were on the wrong course, love affairs running less than smoothly – in fact anything that could disturb the student psyche, a student-based version of The Samaritans. They were said to be particularly keen on helping undergraduates talk through their sexual orientation – nothing like becoming queer to excite the would-be psychotherapeutic volunteers that would stay up all night once or twice a term to run the Nightline service, from the VP-Internal’s office in the Union. Their busiest time, and type of call, though, was always during exams, or the suicide season, as it was known.
I flapped inanely at my coat, trying to find a pocket. "Could you take this?" I said at last, handing him the scarf. I am a personification of confusion.
"Sure."
Despite his casual, amiable manner, I knew he was studying me closely.
"There is something else," I said. "My girlfriend."
"What about her?"
"I think I may have… harmed her."
"Harmed? In what way?" said Chris.
"A bad way."
He remained calm, but it was with a hint of effort, of self-control. "Where is she?"
I told him the room address in the hall of residence at the east end of the campus. Sure enough, his demeanour descended from controlled calm to the edge of agitation. The snow dramatically raised its dervish dance around us as we headed out into the frigid night.
We get to Marion Harding’s room and the door is ajar. We step inside and Marion is sprawled in an ugly fashion on the floor of the cramped bed-sit room. I am all confusion and unable to explain what might have happened. Chris is bent over the body as police from the North Yorkshire Constabulary arrive. I am suddenly the model of clarity and perception. "He did it!" I exclaim. "I saw him strangling her. He’s the one I called you about. Look – her scarf is hanging from his pocket!"
There, on the nightstand, is a sad little epitaph to the recently deceased. Marion’s diary, open at today’s page and, in her handwriting, the note: "Meet Chris tonight." It is there, in black and white.
When I graduated from NRU in Business Studies, it was an easy step to take a job in London, just after the Big Bang of deregulation on the stock market and financial institutions. It was easy to make a killing here too. I dutifully became obscenely wealthy and, as the Eighties segued into the Nineties and the bubble subsided, I quietly stepped back from coke-fuelled trading in the City to semi-retirement in my Docklands flat. The only thing I really lacked was a partner, a girl by my side. But the only woman I had ever loved had turned me down back in my college days because she was already seeing a sociology major called Chris, who, amongst his many good works, volunteered for the Nightline service at NRU. The only woman I ever loved was Marion Harding. I found out, one winter’s evening when my heart could bare the pain of rejection no more, when Chris was on duty at Nightline. I gave her one final chance to reject him in favour of me. She failed to do so and I took the only course of action I could see open to me. If I could not have her, then nobody would. It was a choice as clear as between night and day. Framing Chris was an exquisite bonus. He had the means, opportunity and possible motive – an arranged meeting to break up with him and go out with me, perhaps. He was sentenced to life. Or as good as, in this penal system.
Now I sit in my apartment, staring at the ancient brick architecture and genuine maple floor and gaze blankly across the river, and I wonder what it has all been about. Light floods the open plan room but not my dark secret. How life would have been different with Marion at my side, when there is a knock at the door. Callers are unusual, but I answer just the same without hesitation.
A figure stands there, bent and with lined face. "Remember me?" he says.
No, I do not, and say so. I expect an explanation. There is something vaguely familiar about the close-cropped red hair. He hits me suddenly with something so hard, all I see is a flash of light. Though I know I must be falling, it is as if the floor pivots up to meet me in the back. I am dazed and confused and can find no breath.
"Perhaps you remember this," says the red-haired figure now kneeling on my chest. "This scarf is just like Marion’s. The one you planted on me all those years ago. The one you strangled her with and used to send me to prison for life!"
He is looping the scarf around my neck. I can hardly breathe as it is with his full weight upon my chest, and the blow to the face moments earlier – what did he hit me with? There is blood in my mouth and I feel terribly hot.
"They say life should mean life," he says – I’ve not a clue what he’s on about – "in your case, it will do!"
The scarf slithers around my throat and he tugs it tighter still. I can get no air and my lungs are exploding. At last, I suddenly realise who he is and why is here and what he wants.
Just as everything begins to go black.
Maybe it is what I want too.
The end.
P.S. VOTE FOR YOUR FAVOURITE ENDING!
Someone made the suggestion that this story could satisfactorily end about half-way through this 'full' version, at the point with the text: ' It is there, in black and white' as the final line. What do YOU think? Please leave comments, and a vote, if you have a preference, and we'll find out what the public wants!
